师法自然:建筑仿生设计（源于自然的灵性建筑）_黄滢_9787560990743

　　《师法自然：建筑仿生设计》一书从建筑的角度出发，展示现代仿生设计的精美成果。从源自世界各地著名设计师的精彩案例中，既可以看到建筑外形与环境的和谐相融，内部构造与空间功能的完美匹配，也可以看到符合人体工程学的室内家具，以及内部装饰设计与建筑概念交相呼应的整体化设计。这里的仿生设计不仅是功能性的，同时符合项目周边地理、气侯、阳光等环境特征，也是非常具有美学特质的，观之使人赏心悦目，用之感受舒适畅达，并能触发更多灵感与想象。

　　自然的空间，历史的沉淀，文化的传承，墨西哥的土著艺术，一切皆在本案空间。
　　豁然一堵斜石墙，俨然如护岸墙的神态一般，具有典型的前哥伦比亚时代的神韵。内凹的穹顶，烧火砖的材质，从中读出历史的质朴与沧桑。
　　挑檐墙头，瓷砖铸就，浅浮雕回纹饰样，色彩斑斓。早期西班牙人带来的痕迹，曾经广泛运用于教堂穹顶之上，几经沧海，如今风采依旧。
　　整个外立面，延续挑檐墙头的用材、色调。其造型如同巨鲸出海。几何的曲线，大气的外型，实是有雕塑般的厚重质感，一如埃及的金字塔，千秋万代。茧状的外壳，内部各功能空间依走廊有序划分，更有如阿拉伯庭院般开放的空间。
　　其用材，其手法，乃是西班牙殖民时期的精华，充满异域情调。如橙色粘土块与瓷砖的共同使用，合理的却令人百思不得其解。墙壁、天花板涂以透明灰泥，踢脚板、浴室、厨房饰以瓷砖碎片，极力创造希腊回纹之纷呈。
The core of the architectonic concept of this house is the result of a search for man’s natural space and his historic and cultural roots along with the aboriginal art of Mexican.
At the front of the property, the sloping stone wall – reminiscent of a typical pre-Colombia era charm – was used as a retaining wall, combined with inverted domes made of fired bricks that convey the pristine of the history.
An overhang covered with polychromatic frets in low relief using fragments of ceramic tiles, originally brought to Mexico by the Spaniards, was constructed on top of the wall. During the second half of the sixteenth century, Spanish artisans originally from Talavera (in Spain) settled in Puebla, Mexico, not far from Mexico City, and made the first ovens for ceramic production. Very soon the domes of many churches were decorated with these tiles, and today it is difficult to imagine any dome of the colonial period without seeing images of multiple reflections when light shines on the enamel of the many colored tiles.
Outside, the exterior wrap of the dwelling received a polychromatic coat of ceramic tile fragments, evoking the image of a whale rising out of the sea. The generatrix curves communicate generous form, the essence of which brings the heavy mass characteristic of sculpture and just likes the egyptian pyramids in people,s mind. The outer covering, which looks like a cocoon or embryo, divides the more intimate areas of the dwelling from the social areas using a hallway that generates a center, open space similar to that of an Arab patio.
Inside, construction methods and materials were borrowed from concepts brought to Mexico from Spain during the colonial period. The use of orange-colored clay briquettes combined with ceramic tiles is one such example. The walls and ceilings were covered with transparent stucco, while the baseboards, bathrooms and kitchen were covered with ceramic tile fragments, creating whimsical Grecian frets in different tones.

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