词以境界为上……………………………………………………………………………………………………………………1
有造境，有写境…………………………………………………………………………………………………………………4
有我之境和无我之境………………………………………………………………………………………………………...6
优美与宏壮…………………………………………………………………………………………………………………………11
写实与理想…………………………………………………………………………………………………………………………14
感情亦境界……………………………………………………………………………………………………………………….16
著一字而境界出…………………………………………………………………………………………………………………19
境有大小……………………………………………………………………………………………………………………………22
境界为探本之论…………………………………………………………………………………………………………………25
太白以气象胜……………………………………………………………………………………………………………………27
温庭筠词不及冯延巳…………………………………………………………………………………………………………30
温、韦、冯之词品……………………………………………………………………………………………………………33
南唐中主词………………………………………………………………………………………………………………………36
句秀、骨秀和神秀……………………………………………………………………………………………………………39
李煜始为士大夫之词……………………………………………………………………………………………………….41
词人不失赤子之心……………………………………………………………………………………………………………44
客观诗人与主观诗人…………………………………………………………………………………………………………46
后主之词，以血书之…………………………………………………………………………………………………………48
冯延巳词开北宋风气…………………………………………………………………………………………………………50
冯延巳词《醉花间》…………………………………………………………………………………………………….......52
欧词有所本…………………………………………………………………………………………………………………………54
欧阳修学冯延巳…………………………………………………………………………………………………………………56
咏春草词……………………………………………………………………………………………………………………………59
诗词之洒落、悲壮………………………………………………………………………………………………………………63
诗人之忧生、忧世………………………………………………………………………………………………………………66
三种境界……………………………………………………………………………………………………………………………69
欧阳修豪放中有沉着…………………………………………………………………………………………………………73
秦观淡语有味，浅语有致…………………………………………………………………………………………….......75
秦观词境凄婉……………………………………………………………………………………………………………………78
诗词气象相似………………………………………………………………………………………………………………………81
东坡气象……………………………………………………………………………………………………………………………84
词之雅郑……………………………………………………………………………………………………………………………86
柳永轻薄子………………………………………………………………………………………………………………………89
周邦彦不失为第一流作者……………………………………………………………………………………………......91
词忌用替代字（一）…………………………………………………………………………………………………………93
词忌用替代字（二）…………………………………………………………………………………………………………97
周邦彦词得荷之神理…………………………………………………………………………………………………………99
东坡、章楶咏杨花……………………………………………………………………………………………………………102
咏物词………………………………………………………………………………………………………………………………105
写景病在隔……………………………………………………………………………………………………………………109
隔与不隔……………………………………………………………………………………………………………………112
情、景之不隔………………………………………………………………………………………………………………116
姜夔词不用力于意境………………………………………………………………………………………………………118
辛弃疾词有性情、有境界……………………………………………………………………………………………....120
苏词旷，辛词豪………………………………………………………………………………………………………………123
苏、辛有雅量高致……………………………………………………………………………………………………………125
辛弃疾《贺新郎》语语有境界……………………………………………………………………………................128
狂狷与乡愿………………………………………………………………………………………………………………………130
词之品格…………………………………………………………………………………………………………………………132
吴文英词…………………………………………………………………………………………………………………………134
张炎、吴文英词………………………………………………………………………………………………………………136
文天祥词风骨高………………………………………………………………………………………………………………138
纳兰容若塞上词………………………………………………………………………………………………………………140
纳兰容若之自然………………………………………………………………………………………………………………144
五代词之所以独胜……………………………………………………………………………………………………………146
一切文体，始盛终衰…………………………………………………………………………………………………………148
词有题而词亡…………………………………………………………………………………………………………………….150
大家之作……………………………………………………………………………………………………………………………152
诗词忌美词投赠…………………………………………………………………………………………………………………154
白居易、吴伟业之隶事…………………………………………………………………………………………………......156
龚自珍凉薄无行…………………………………………………………………………………………………………………158
诗词体制尊卑…………………………………………………………………………………………………………………….160
宇宙人生能入能出……………………………………………………………………………………………………………..162
轻视与重视外物…………………………………………………………………………………………………………………164
淫词、鄙词、游词………………………………………………………………………………………………………………166
《天净沙》得绝句妙境………………………………………………………………………………………………………168
创者易工，因者难巧…………………………………………………………………………………………………………..170
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