里仁为美：理学与北宋绘画美学_皮佳佳著_9787301367988

北宋为中国绘画艺术取得空前成就的时期。这一时期，思想文化领域的发展达到了前所未有的高度，尤以新儒家的兴起为标志，新儒家思想主要即指理学思想。中国的绘画艺术，尤其是文人画，与中国哲学思想紧密相关，这种关联性正体现在两宋时期形成的中国绘画艺术的民族特点中。本书聚焦仁学在新儒家思想中展开的四个维度——一体之仁、生生之仁、觉知之仁、德性之仁，从浑然之美、生意之美、心性之美与人格之美四个方面考察新儒家影响下北宋绘画美学的建构。

绪.论...................................................................................001 第一章.一体之仁：浑然之美...............031 一.空间一体：道通天地...................................042 （一）宇宙视象.............................................................043 （二）师诸造化.............................................................050 （三）身即山川.............................................................055 二.时间一体：古今永续...................................065 （一）金石永恒.............................................................066 （二）寒林读碑.............................................................075 （三）『远』接时空...................................................086 第二章.生意之仁：生生之美...............097 一.蔚有生意...................................................................102 二.形理循真...................................................................111 （一）哲思画理.............................................................112 （二）寻理求真.............................................................116 （三）真水之原.............................................................122 三.平淡之美...................................................................129 （一）平淡文道.............................................................131 （二）平淡邃美.............................................................134 （三）平淡韵味.............................................................141 （四）平淡天真.............................................................146 第三章.觉知之仁：心性之美...............151 一.宽养胸臆...................................................................154 （一）注精以一.............................................................154 （二）胸中丘壑.............................................................161 二.天机自张...................................................................166 （一）以物观物.............................................................167 （二）以天合天.............................................................172 （三）神贯胸臆.............................................................180 三.尚意之书...................................................................188 （一）自求其意.............................................................188 （二）会通一意.............................................................190 （三）无意乃佳.............................................................193 四.寓意于物...................................................................198 （一）性情之论.............................................................199 （二）寓意于物.............................................................205 （三）雪堂之思.............................................................213 第四章.德性之仁：人格之美...............223 一.士气之画...................................................................230 （一）阅天下马.............................................................230 （二）画适吾意.............................................................235 （三）风格主题.............................................................243 二.人格之美...................................................................265 （一）心画心印.............................................................265 （二）画之逸格.............................................................271 （三）文同之竹.............................................................279 三.丹青吟咏...................................................................290 （一）画通诗意.............................................................291 （二）画拓诗境.............................................................296 （三）诗画相参.............................................................307 结.语...................................................................................319 参考文献............................................................................326

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